Tag Archives: garibay

New Beats, New Songs in The Works

7 Dec

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Click, Click, Glow Music Video is Here!!!

2 Jul

Here is the music video for Click, Click, Glow!  This song is Marcos’ first single off his album, The Past is Prologue!  It features The Circus House and James Hurtado.  Please enjoy and share so we can help spread the word and excitement about this song and project 🙂

 

You can also download the song for FREE here:

Artwork from Marcos’ Soon To Be Released Album The Past is Prologue

6 Jun

9 out of 12 songs.  Expect the next three followed by the final cover in to show in the next day.

The Past is Prologue is the first solo effort from Blackout Beat Production Company producer and song writer Marcos Garibay. Important moments in time are colorfully painted on a Latin canvas that incorporates elements of Merengue, Bachata, Flamenco, Kizumba, 3Ball, and Dance Hall, over percussion foundations that draw inspiration from Timbaland and The Neputunes. Marcos assembled a unique and extremely talented group of musicians to help bring his vision to life: his brother Armando Garibay (the other half of The Blackout Beat) and his band The Circus HouseJillian Grutta,Felicia Gallegos PettisLara Gallegos, Mia B., Emmett Arthur Collins III, and James Hurtado. The album explores the past, present and future while exposing a mainstream audience to a new fusion sound that carries The Blackout Beat’s signature. The Past is Prologue will be released as a special box set on June 28th, 2014.

Photography credit: Ric Urrutia

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The Past is Prologue: Marcos’ New Album 2 Years in The Making

13 May

10294228_10202863903390892_3536594918014921641_nThe Past is Prologue

It has been nearly two years since Blackout Beat producer and song writer Marcos Garibay began work on his solo project that has now become The Past is Prologue.  With a firm release date set for June 21st and a complete track listing, it seems highly unlikely that Blackout Beat fans will have to wait much longer to hear new music from Marcos.  Thankfully Armando (the other half of The Blackout Beat and Marcos’s brother) and his Electro Pop band The Circus House have been making plenty of noise this year as they have been playing all through out Denver while promoting their most recent album, Flesh.

The Past is Prologue is many things.  A homage to the Latin sounds that Marcos grew up around, a throwback to a different eras of Pop music, and a personal diary of a producer/artist/song writer who knows where he came from, know’s where he is and has no idea where he is going.  One would think that an album built around Merengue, Flamenco, Bachata, Kizumba, Rumba, Reggaeton, Dance Hall, 80’s & 90’s Pop, coupled with Timbaland & Neptunes percussion influences, would have a scattered inconsistent sound.  But thanks to a two year creative process Marcos has managed to create an album that has a consistent, defined sound that takes inspiration from many different genres while still remaining true to it’s Latin Pop foundation.

Although Marcos has been extremely busy working to finish this project (so busy in fact that he took on no new projects in 2014) he has managed to generate some excitement for his album  by way of a personal social media campaign that gave friends and fans small glimpses into the creative process.   Now as the album is near completion, Marcos intends to create a “temporal storm” to let people know why they should be as excited for this album as he is.  The first real hint that The Past is Prologue is more than a hashtag, came about a week ago when Marcos began releasing teaser posters for the album via his personal Facebook and Instagram account.  With a little over a month until the release date we thought it would be a good idea to sit down with Marcos and get all the details about this project, in the hopes that we will leave the interview counting the days until we can have hands on this album.

First and foremost, why is the album called The Past is Prologue? 

It dawned on me as I neared the end of the recording process that I needed a name for this project.  It’s not something you take lightly, just as you wouldn’t just assign any random name to your own child at birth.  I made list after list of names and none of them felt right to me.  That to me is the key, the only real guiding light I’ve followed for this entire thing, feeling, “what feels right?”  I originally wanted to name the album after an episode of The Twilight Zone as an homage to Rod Serling, a great idol of mine.  Just as I was looking through an episode list my eyes gazed at a bulletin board I keep above my desk at home.  I looked at a poem that a “on the spot poet” had wrote for me the night before at a Circus House show.  I asked her to write it about time.  It’s a subject that I’ve been obsessed with lately, for many reasons.   The poem began with a Shakespeare quote “the past is prologue”.  It jumped out at me and I knew that was the name of my album.  I then looked through all the songs I had done and the theme of time fit perfectly.  Each song in one way or another deals with time, questions of future possibilities, past regrets, living in the present.  There are even some songs that tell a story that spans many eras, many moments.  The album is a collection of moments that are happening, have happened or could happen.

Twilight Zone

Why have you been “obsessed with time”?

For many reasons.  I’m at a point in my life right now where I can’t really see too far into my own future.  I don’t know where I’m going or what road I want to take.  In life, I suppose, I’m also just guiding myself by way of feeling.  At times I feel embattled, like an old seasoned veteran who has been doing this for too many years, seen fads and people come and go and I keep trucking along despite the harsh landscape that is this industry.  I spent a lot of time thinking about the choices I’ve made that lead me to the place I’m at now.  If I knew where I would end up, would I have made different choices?  With respect to my music career, these questions resonate in a way that lingers.  So much so that they have inspired a book project that I will complete after the album.  Originally I wanted to put them both out together.

Does that time theme carry throughout all the songs on the album? 

It does.  There are many perspectives, angles and ways of telling a story that deals with time.  The great thing is that a song can have a different feel, message and emotion depending on the perspective.  For instance, After Love is a song about a lost love that stays with you like a ghost.  Each verse takes place in different times, the first being closest to the actual relationship and with each following verse more time has passed and more perspective is gained in hindsight.  If I wrote the whole song form the perspective of a person who just lost this love that they were so accustomed to, it could be a very dark and painful song.  But with the perspective gained from time lapsing it becomes something bigger.  You always see the good in bad situations when you are further away from them.

So is the entire album one story? 

I would say that each song is a story.  Some connect, telling a larger story but all the songs are not one giant story.  They are all fragments of a larger, personal narrative.  I think of them as moments.  Some are even the same moment told from different perspectives that are from different places in time.  Details, my Sheila E. inspired song is uptempo, lively and dance ready.  More Than This Dance is passionate, minimalistic, and soulful.  Details was written from a kind of after the fact perspective and More Than This Dance was written from the perspective of being right there in the heat of the moment.  They are about the same thing, same situation, same story and moment.

Did you have a theme, or sound that you were going for?  

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Marcos far right

When I started my graphic novel project the soundtrack was supposed to be latin themed.  I thought it would be a good fit since a large part of the book took place during my childhood as kid in my mother’s dance group where we danced to latin music.  Once the graphic novel got to a point to where I needed to put it on the back burner, I decided just to do an album and eventually come back to my graphic novel.  I was already in a latin mindset and felt like it would be cool to take our sound in that direction.  We had done latin stuff before but not full blow, not full out.  I always wanted to combine all the latin sounds I loved with the sound of producers like Timbaland and The Neptunes to create a kind of “modern latin pop”.  I’m still having trouble nailing the genre that this album actually should be labeled as.

What genre is the album?  Who is it for?

The sound is consistent but I’m not sure who it is for yet.  I guess we will find that out when it’s out.  It’s not meant for hardcore Bachata or Merengue fans but it’s my hope that they will appreciate and feel what I’m doing here.  I also hope that the pop, Hip Hop and dance elements of the album that I have fused with the latin sounds help introduce genres like Bachata, Merengue etc. to a new, more mainstream audience.

What artists and sounds influenced you while making this album?

Gloria Estefan, Timbaland, The Neptunes (Pharrell and Chad Hugo), Sheila E., 90’s dance music, early 2000 Hip Hop and R&B and my brother Armando.  I see how much time he takes to make each of his songs what they are.  If people saw how much time and thought he puts into his arrangements they would freak out and send him checks for all the free songs he has given the world.  It is inspiring and it made me look at how my songs could always be more, be better than what I originally thought.

Armando Garibay

Armando Garibay

Can you tell us about some of the features on the album? 

Emmett Collins, an R&B singer we have worked with for about 4 years in on a few tracks, Felicia and her sister Lara Gallegos from Soul Kidz are on the album, new R&B singer Tamia did 3 songs with me, Jillian from The Circus House as well as full The Circus House are all on the album.  It is very much like a Timbaland album in the sense that its almost like a compilation but the producer is also an artist who collaborates on most of the tracks.

Marcos, Emmett Collins, Lara Gallegos, Felicia Gallegos Pettis

Marcos, Emmett Collins, Lara Gallegos, Felicia Gallegos Pettis

How did the writing process happen for this album?  Was it different for each artist? 

It was different for each artist.  Sometimes I would have song written for the artist, sometimes I would have parts written and we would collaborate on the rest or other times the artist would take the concept I had for a song and make it their own.  Click, Click, Glow (the first single)  was a song concept Jillian had in her head for a long time and when she heard the beat it for lack of a better word, clicked!

As an artist I kind of had to discover my own process.  I’m so used to working with others that I never really had a chance to discover how I operate as the artist/ writer.  I would make a beat, add to it, build a basic skeleton and arrangement, then I would load it into my phone and dream what the song should be over the next few weeks.  I then write at home or in the shower.  After a few days of letting the lyrics simmer inside I would then go to the studio to record vocals, then I’d load it back in my phone and listen for things to add and change before I went back in the studio to mix.

The first single off the album is called Click, Click, Glow.  What is that song all about and why is it the first single?  

The song is about socialites, status seekers, the kind of fake enlightened people who claim to be progressive and at the same time are the most out of touch people in the world.  It’s Jillian’s idea and I related immediately.  It’s uptempo, full of crazy live horns and it features The Circus House.  It’s the only song on the album that me and Armando were able to work on together but it’s also one of the craziest!  I’m really happy that we were able to introduce my project with The Circus House and my brother on the song.    It’s the perfect opener!

Marcos with The Circus House

Marcos with The Circus House and Hammer

What where some of the most memorable collaborative moments that came out of making this album? 

Every song for me was a fantastic experience.  I was able to work with and get to know so many great and talented people while expressing myself.  It was so cool to see people take my thoughts, concepts, lyrics and sounds and make it their own.  It was one of the funnest experiences I’ll ever have.

One song that was really fun to see come to life was With You.  I recorded most of the live guitars on the album in one day back in September.  One of those beats was a Bachata track that had so much heart.  I knew it was something special and I had an idea to bring life back into a song Armando had written about 8 years ago.  We recorded it for a very early project and it never really took off.  I knew that the song could be so much more than it was and I decided to remake it into a Bachata song.  Circumstances lined up (as they often do in these kind of situations) and I came across a talented young singer named Tamia.  We hit it off in the studio as I helped her with a few songs for an EP she as working on then I asked her to try singing over a Bachata beat.  The end result was With You, one of the most beautiful songs I’ve ever produced.  It’s the only song on the album where I don’t have a verse or vocals (with the exception of some beat boxing).

The Blackout Beat: Marcos and Armando Garibay

The Blackout Beat: Marcos and Armando Garibay

What was the biggest challenge for you creatively?

For me the biggest challenge was to prove my self as a competent artist.  I’ve been producing and writing for years but this is my first real move as a solo artist.  I had to inject personality, meaning and emotion into all my vocals.  My contributions vocally include add libbing, rap verses, spoken word and some singing.  My sound may evolve and change in the years to come, so it was important to me to make sure not to put myself in one box or category.   It’s my hope that the meaning and personality comes through no matter which way they are coming out of my mouth.  It was a lot of pressure to deliver on this front.

Why did you remove “I Miss You”, the song about your mom from the album?

I felt that it took away from the momentum and the larger narrative of the album.  It’s one of those songs that I feel will never be done and I didn’t want to put it on the album unless I felt it belonged there and fit the experience I was trying to create.  I did put it out on mothers day though.  Maybe on the next one I can finally say what I want to in regards to my mom.  I miss you cover

 

There has been a lot of talk about a “super deluxe” box set as the standard release.  What is this about?

It’s the most amazing thing ever!  The box set is the only way to get the physical CD.  It’s going to be around $15-20.00 but it’s well worth it.  I won’t name the many contents of the box set here, its coming in the weeks ahead.  But I will say that everything in that box will make it a full experience, for al the senses. It is personal and a really unique way to connect with everyone who hears the album.  I’ve put so much thought into the presentation, packaging, and contents of the box.  It will be awesome and the untraditional marketing  in the weeks to come will start revealing clues to the contents of the set.

 

You mentioned that the marketing for the album will be untraditional.  Can you expand on that please? 

I don’t want to have spent all this time and energy on this album for only a handful of people to hear it.   I want it to be everywhere and in order to get that kind of reception yo need to get the word out.  Marketing has always been a difficult thing for many indie artists and with this project I really wanted to do it right.  There is social media, on the street gorilla marketing, video, live events, radio and many other non traditional things like the #past #present and #future #thepastisprologue teaser movie posters that are starting to come out.  It’s exciting but the key for me that ties it all together that it all needs to have heart, be sincere and in theme with this album.

1 of 3 #past album teaser poster

1 of 3 #past album teaser poster

2 of 3 #present album teaser poster

2 of 3 #present album teaser poster

Music videos?
They are coming!  Click, Click, Glow shoots in two weeks and I’m already working on With You / More Than This Dance.  Click, Click, Glow is going to be a crazy performance video, Craig Mack Flava in Ya Ear style.  With You will be Dirty Dancing themed.  I want to do videos for most of the songs on the album.

 

Dirty Dancing? 

I’m working with an amazing friend/ dancer for the With You video.  It will incorporate amazing performances from Tamia with a love story inspired by Dirty Dancing. My friend, the dancer, my love interest in the video is perfect for bringing the song to life.  She is beautiful, funny, humble, and intriguing.  She is the kind of person I’d imagine someone thinking about as they listen to With You on repeat.  The first part of the video will have us stumbling awkwardly though our steps as we are nervous and awkward around each other.  We will nail that when we finally shoot (laughing).  Working with and getting to know her has been as fun and exciting just as it has been with all the artists I’ve collaborated with in the studio.   It’s been great, it feels so good to be dancing again and now that I’m done with the recording I can bring more and more dancing into this project as I start to translate it into live and video interpretations.

Dance rehearsal for With You

Dance rehearsal for With You.

How will your live set differ from that of Armando’s Circus House?

We are just figuring out that now but there are many things I want to bring to the stage.  I think the video look will have a different aesthetic than Circus House fans our used to.  Dance will be a big part and I’m hoping to create several different sets that can adapt to whatever featured artist is available for each show.  I’m really excited for the rehearsal part!

 

What can we expect from the release party?

It will be very different from our other parties.  Expect the staples like great food, plenty of drinks and dancing.  The album will be performed live and each guest will receive “goodies”.   There is another element to the event that will really enhance the whole night, fitting in with the theme of the album.

 

The Past is Prologue is set to be released on June 21st.  Keep your eyes and ears open  as more promotional material is released.

 

-TBB

 

 

 

New Song with Music Video From Long Awaited Marcos Garibay Album to Premier This Week

6 Mar

tihwgdEnter chapter one to producer, artist, and song writer Marcos Garibay’s musical adventure. Allow us to submit: This is How We Get Down; a bold, spicy, and infectious moment in time, painted on a latin canvas, over merengue rhythms and constructed by an almost bizzare combination of artists from who reside in many corners of the musical genre spectrum. This song is the first to be heard, the first to be seen and may likely be, the most danced to composition from this album by Marcos and The Blackout Beat

The wait is over to hear the project that Marcos has been working on for over a year.  This Thursday you can download the song This is How We Get Down for FREE.  The song features several artists that are frequent Blackout Beat collaborators.  (Check out the album artwork above to see who is in it, there might even be more than what’s listed on there too.)  And be sure to check back with us Friday for the premier of the music video!  Marcos’ album, The Past is Prologue will be released this May.

-TBB

$100.00 4 Hour Recording Special Happening Now at Blackout Beat Recording Studio

25 Jan

IMG_3672If your a Colorado based artist looking for an affordable place to record your next project then be sure to check out this new promotion from The Blackout Beat.

4 hrs recording time + mixing for $100.00 at The Blackout Beat Recording Studio in Denver!
Contact us today for more info or to schedule your session!
(917)455-3577
contact@theblackoutbeat.com

Marcos in The Studio Working on New Album

17 Sep

 

Last week was a great week as Marcos spent most of it in the studio working on music for the album that will accompany his A is for Authentic graphic novel.  He worked on beats, recorded vocals and worked with James Hurtado to record live guitar that will really make the album “authentic”.  Although the release of the ambitious project is still months away, it’s really shaping up to be something bigger than Marcos imagined.

 

 

 

 

FREE Song Friday: Marie Robertson – I Am

21 Jun

I Am, is the first complete song to come from the post Circus House sessions that singer/song writer Marie Robertson had with The Blackout Beat. The entire RED EP will be availble as a FREE download on June 28th! Get it at www.theblackoutbeat.comand please follow us at facebook.com/theblackoutbeat ortwitter.com/theblackoutbeat

Teaser For New Circus House Single – Faith in My Footsteps

30 May

You can get the song here tomorrow for FREE Song Friday!  The wait is almost over!

-M

Soul Kidz Perform New Americana Remix live

9 Apr

Check out this great performance of the New Americana Remix by The Soul Kidz at last weeks grand opening party for The Blackout Beat’s new recording and dance studio.  Stay tuned for more great music from The Soul Kidz and The Blackout Beat!

-TBB